Psychedelic Metal Roleplaying
Beyond the black obelisk, through the rainbow gate.
Games. Art. Words.—Thank You—
Possible because of the heroes of the stratometaship.
The Vastlands Await. A long strange trip across a mythic steppe littered with the remnants of space and time. Fast stars and slow blink in lazy rhythm, sending messages that none now read. Cats and body-hopping ghosts, crystal shamans and charlatan merchants, all. Promises of deeper truths, realities of change and regret. Journeys through gates and wormways into earths that have died and risen, each again a thousandfold.
Intimate, claustrophobic delves into small towns and lands on the edges of great worlds. Beset by witchcraft and superstition. Haunted by suspicion and magic. Cursed to the hell that is other people. Humbled by natures grander than human, yet just as fickle and mercurial. Come Autumn, our poor garden is all falling down, the yellowed leaves are flying in the wind.
A caravan on a strange long trip through the Ultraviolet Grasslands to find the Black City at the end of the world.
Devotees and deserters build a new life under red skies in the heart of the twitching corpse of the greatest city the world had known.
Half-mad fools ascend into the skies on cobbled-together chariots of fire like the shamans of old to wander the voidways of the sky gods.
Heroes end cities and civilizations and worlds through accidents and inattention, and through it all, creation and invention dance on, a couplet unbound by space and time.
What even makes a hero when the tale is told? Not goodness, perhaps. But excess, yes, indeed.
Moebius’ mind-bending bande dessinée Airtight Garage. Blue Oyster Cult’s evocative Veteran of the Psychic Wars. The rambling melange that is the Heavy Metal movie. The surreal fantasy of Jodorowsky’s Holy Mountain. The impressionistic brilliance of Miller’s Fury Road. The semi-coherence of the Strugatskys’ Roadside Picnic or VanderMeer’s Annihilation. The neo-baroque pop metal of Ghost.
The shifting realities of new wave science fiction. Psychedelic journeys between inner and outer spaces.
All these inspire and inform Seacat, le chat de mer, the roleplaying game of whimsical and capricious worlds, digressing from a single arc, lurching into branching stories, dancing into an act of creation itself. Seacat is self-consciously modernist; impressionist and expressionist by turns, embracing the theatre-of-the-mind and the infinite special effects budget that brings.
May the seacat bless you all with strange tales to laugh over for many days and many years.
- Dry BrothersUVG • Red Sky • Mythos • Ebét Three mummified wyrms mark the three frontiers of Ebét. Tremendous, dozen-legged serpentine dragons, the elder brothers of the Living God. They all failed…
- Naga KingRed Sky • Mythos • Ebét Legendary hero of the Ebéteen wandering from the Eclipsed Lands, who accepted the ancestors’ gift-curse and became a mile-long snake to protect his people on…
- Clockwork God, Faith of theUVG • Red Sky • Mythos • Plot An archaic mystery cult preaches an underlying mechanical logic to the unfolding of the universe. It encourages humans to ascend to the machine,…
- Eclipsed Lands• UVG • Red Sky • Ebéteen • Mythos • Destination • Mythical lands plunged into perpetual darkness by the death of the Ebéteen’s old Solar Deity. Rumours of the Eclipsed…
- Occultation, The• UVG • Red Sky • Ebéteen • Mythos • The death of the old Solar Deity of the Ebéteen is often called the Occultation. In popular Second Circle legend, it…
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